A real layer stack, with the fix for a render that has gone soft or repetitive.
Most AI photo tools bake a change straight into the pixels and hope it looks right the first time. Retouch works the way a photo editor is supposed to: every change lands on its own layer, with its own mask, that you can toggle, adjust or delete without ever touching the original. Mask an area and describe the change, or use Enhance area, the one-click fix for a render that has gone soft or mechanically repetitive in brick, tile or planting. Sixteen rail tools, real adjustment layers and a Camera Raw style grade sit underneath it, so it is a genuine editor rather than a single trick with a layers panel bolted on.
Mask an area, describe the change, and it renders onto a genuine new layer with real transparency. Toggle it, mask it further, or delete it. The original is never touched.
Move, Marquee, Lasso, Crop, Brush, Eraser, Clone Stamp, Dodge and Burn, Healing Brush, Fill and Gradient, Magic Wand, Eyedropper, Type, Pen, Hand, Zoom, with the same shortcut letters a Photoshop habit already knows.
Light, colour, a draggable point curve on RGB and each channel, eight HSL hue bands, and effects, all on an adjustment layer so a look stays non-destructive and maskable.
Select the region that has gone mechanical, brick, roof tiles, glazing bars, paving or planting, and Enhance area re-renders just that patch at higher resolution and composites it back seamlessly. No prompt, no change to composition or materials. It is the tool for the specific failure image models make worst, and it takes one click.
Open RetouchAttach a material reference, select an area, and the surface there matches the reference's colour and pattern with geometry and lighting untouched. Six one-click time-of-day and weather presets regenerate the whole document while keeping the same building, each landing as its own toggleable layer.
Twelve blend modes, layer masks you paint directly onto, layer styles (drop shadow, glow, stroke, bevel and emboss), a Transform panel with per-corner perspective distortion, and adjustment layers that affect everything visible below them, reorderable and maskable throughout.
The Adjust panel is a real Camera Raw style grade, Light, Colour, curves and HSL bands, working on a maskable adjustment layer. Ten one-click presets land as their own named adjustment layers rather than baking. The Healing Brush is free, instant and needs no prompt, Alt-click a source and paint the seam away.
Paint a mask or select by description, describe the change, and it lands on a real new layer, not a flattened edit.
Re-renders a selected region at higher resolution with no prompt, for a render that has gone soft or repetitive.
Move, Marquee, Lasso, Crop, Brush, Eraser, Clone Stamp, Dodge and Burn, Healing Brush, Fill and Gradient, Magic Wand, Eyedropper, Type, Pen, Hand, Zoom.
Twelve blend modes, layer masks, layer styles, a Transform panel with per-corner distortion, and non-destructive adjustment layers.
Light, colour, a draggable point curve, eight HSL bands and effects, on a maskable adjustment layer, plus Filters to bake it into one layer.
Match a surface to a reference swatch, or regenerate the whole document at a different time of day or weather, both as toggleable layers.
Type what to select, "all the brickwork", and it selects every matching region as an ordinary, editable selection.
Alt-click a source and paint, no prompt and no credits, for a blemish or a seam smaller than generative fill is worth.
Desaturate, Invert, Warm, Punch and more, each landing as its own adjustment layer, free and instant.
Every ArchAdemia Tools plan includes everything on this page. From £29 a month, all in, with no per-tool fees and no surprise charges.