What can I start from?

A hand sketch, a scanned drawing, a CAD export or a screenshot of your viewport. There's no import step, and nothing needs rebuilding in another application first.

How many renders can I run?

As many as your credit balance covers, and the cost of each is shown before you commit rather than discovered afterwards. Every plan is all in, with no per-model fees and nothing charged separately per surface.

Rendering

AI rendering.

Q: How accurate is the render to my model?

As accurate as what you bring in. Geometry, proportions and openings come from your SketchUp, Revit or Rhino model (or your drawing) and carry straight through into the render; material, light and context are the parts the AI is generating. Rough sketch in, rough render out. The render can only ever be as precise as the thing it was handed.

Your geometry, massing and openings stay exactly where you put them. What changes is the material, the light and the context round it, so the render answers a question about your scheme instead of showing you somebody else's building.

Most AI rendering treats your drawing as a loose suggestion and hands back a handsome building that isn't the one you designed. It photographs beautifully; it's useless for design work, because there's nothing in it you can decide from. Composition preservation is the whole point here. Hold the scheme, vary everything round it, and a render turns into a test you can act on.

Preserve the composition, vary the rest.

Your composition, held

Massing, openings and sightlines come through unchanged. What you drew is what gets rendered, so the image is evidence about your scheme rather than a different one.

Run the set, then compare

Golden hour against overcast. Brick, render and timber across the same elevation, or winter context against summer. Run the whole set in one go and compare them side by side, rather than committing to whichever one happened to come out first.

Up to presentation size

Upscale a chosen image to presentation and print resolution without going back and generating again, so the version you approved is the version that gets issued.

Start from whatever you already have.

A hand sketch, a CAD export, a viewport screenshot from SketchUp, Rhino or Revit. All of them are valid starting points, and none of them needs rebuilding first. The tools that insist on their own model before they'll help you are the reason rendering usually happens too late to influence anything.

Open Image

Six options in the time one used to take.

Iteration cost is what decides how many ideas get tested. When a variant takes an afternoon you test one and then spend the meeting defending it. Drop that to minutes and you test six, then bring the comparison into the room, which is a different conversation with a client and a much better one to be having. For a whole set rather than one image, Shoot's stills step plans it: put in a few shots of the scheme, make the one base render every set starts from, and the coverage comes from a fixed pool of thirty shots per register — how many wides, aerials, material shots and human-scale shots you get flexes on whether the scheme is a house, a mid-scale building or a tower. Every prompt is still yours to edit and the total cost on the button before it spends.

Open Shoot

Six options in the time one used to take

Interiors and exteriors on the same loop.

The same composition-preserving pass handles a street elevation and a living room. Material, daylight and furnishing change while the space itself holds, so an interior scheme can be presented in several registers without redrawing the room each time.

Accurate to what you feed it.

Bring in an accurate SketchUp, Revit or Rhino model, or a precise drawing, and the geometry, proportions and openings carry straight through into the render. Material, light and context are what change here, not the scheme itself, so the accuracy of the output tracks the accuracy of what you started with.

What the rendering lane covers.

Composition-preserving passes

Geometry, massing and openings held while material, light and context vary. The render stays your design.

Any starting point

Hand sketches, scanned drawings, CAD exports and viewport screenshots all go in without a conversion step.

Option sets, and whole sets

The same view across materials, seasons and times of day, or a planned set of views from a few shots of the scheme in Shoot's stills step.

Presentation output

Upscaling to presentation and print resolution, so the approved image is the one that gets issued.

The models inside.

Every plan carries the full catalogue. One credit balance, no per-model fees, and the flagship engine for every discipline.

Nano Banana Pro

Image

GPT Image 2

Image

Ideogram v3

Image

Luma Uni-1

Image

Seedance 2.0

Video

Kling O3

Video

Hailuo 3

Video

Luma Ray 3.2

Video

Gemini Omni Flash

Video

Meshy v6

Rodin V2.5

ElevenLabs

Audio

Nano Banana Pro

Image

GPT Image 2

Image

Ideogram v3

Image

Luma Uni-1

Image

Seedance 2.0

Video

Kling O3

Video

Hailuo 3

Video

Luma Ray 3.2

Video

Gemini Omni Flash

Video

Meshy v6

Rodin V2.5

ElevenLabs

Audio

100+ more inside.

Frequently asked.

Not unless you ask it to. Composition-preserving rendering holds geometry, massing and openings fixed and varies material, lighting and surroundings. Where you do want it to explore, that's a separate mode you choose on purpose rather than the default.

Yes. Shoot's stills step takes a few reference shots of the scheme, a SketchUp or Revit view, a phone photo of a physical model, or a render you already have, and plans a set around them: different camera positions, one condition held across the whole set and a different thing the light is doing in each frame, with exterior and interior treated as the different disciplines they are. Every prompt stays visible and editable, and the total sits on the button before anything is spent. A finished set of stills is the deliverable. Nothing pushes you on into video unless you want to go there.

Ready to start? Jump straight in.

Every ArchAdemia Tools plan includes everything on this page. From £29 a month, all in, with no per-tool fees and no surprise charges.

See Pricing